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The museum

Like a live concert with the whole family

The rock’n’pop museum in Gronau has been telling the cultural history of popular music of the 20th century since 2004. Since the end of 2018, the historic building has been shining in new splendor: Hear, see, feel is the museum’s motto.

Permanent exhibition

Hear, see, feel

With its exhibition concept, the rock’n’popmuseum creates goosebump moments like at a live concert. In the exhibition, all age groups will find a multimedia experience of sounds, images and exhibits. Multimedia and interactive elements make the visit an unforgettable experience. A highlight awaits visitors right at the entrance: Gronau’s most famous son, rock legend Udo Lindenberg, greets everyone in person on a multi-monitor animation.

Visitors can look forward to a thematically and creatively fascinating journey through the dimensions of pop music. Elaborately staged showcases form themed islands grouped around concepts such as rebellion, live on stage and performance.

High-ranking relics of pop music and an innovative sound system round off the unique exhibition concept.

Our special thanks go to Udo Lindenberg and the L’Unique Foundation.

Special exhibition

D.I.S.C.O. COOL - CHIC - CRAZY

Special exhibition on disco history and club culture at the rock'n'pop museum until March 3, 2024

Pulsating music, exciting dance, flickering light – these are the elements needed to turn day into night. The fascination of dancing the night away can be experienced until March 3, 2024 at the rock’n’popmuseum Gronau in a special exhibition entitled “D.I.S.C.O.. Cool – Chic – Crazy” can be experienced. With the help of a diverse selection of authentic exhibits and numerous interactive elements, the exhibition transports visitors into the extraordinary world of nightclubs and disco sound.

Especially during the heyday of discotheques in the 1970s, the motto was: cool – chic – crazy! Extravagant outfits, iconic films and unusual dances still characterize the image of the discotheque today. The exhibition examines these aspects of the disco myth and also sheds light on the current diversity of club culture. The exhibition focuses on the German discotheque landscape as a whole, with its many unusual locations, as well as numerous discotheques in the Münsterland region.

The fascinating history of discotheques is staged as a visit to the disco: after an encounter with the doorman and a walk through the checkroom with a large selection of outfits from the disco era, the way to the DJ booth is clear. This opens up a view of the creative minds in the business. From producers to musicians to DJ authors, the whole variety of danceable rhythms is on display. The highlight of the exhibition is the large, interactive dance floor, which invites visitors to explore the hits of the disco era. In addition to interviews with people involved in the club scene, the exhibition shows posters, recordings, films and photographs.

An extensive supporting program complements the exhibition. Revival events by local (country) discotheques and current club music sessions as well as events thematically linked to the exhibition theme, such as readings and workshops, round off the experience for visitors.

“D.I.S.C.O.. Cool – Chic – Crazy” is a cooperation between the rock’n’popmuseum and the LWL-Museum TextilWerk Bocholt, curated by dance scholar Annette Hartmann and musicologist Martin Lücke. The exhibition and the supporting program are being realized with funds from the regional cultural funding of the state of North Rhine-Westphalia.

CAN-Studio

PRESENTATION

Popular music is closely linked to the recording studios in which it was created: The Beatles – unthinkable without the Abbey Road Studios in London. The typical sound of 90s boybands: it came from the Swedish Cheiron Studios. Without the Jamaican sound labs of King Tubby and Lee “Scratch” Perry, no Dub.

The CAN studio also played a central role – not only for the music of the band that gave it its name, but also for German and international pop music. The atmosphere, the acoustics, the special technical equipment and the personalities of the performers all played their part in the music that was created here.

In 1971, CAN moved from their rehearsal rooms in Nörvenich Castle to a former movie theater in the community of Weilerswist. They had earned money with commissions for film music and now wanted to create their own creative space.
The band consisted of Irmin Schmidt, Jaki Liebzeit, Holger Czukay and Michael Karoli. Malcom Mooney Damo Suzuki are the best known of their changing singers. Some of them had studied with Karl-Heinz Stockhausen, who had attracted attention at the time with his studio experiments. Now they were turning rock music on its head themselves: They swapped instruments, were influenced by non-European music and always had a tape running during their jams, the parts of which were later remounted.

In order to be able to rehearse day and night, they lined the hall with seagrass mattresses from German army stocks. This provided a shield from the outside world and thus well-meaning neighbors. A nice side effect was the “dry” sound, i.e. little room content on the recordings. Nevertheless, the band also made a point of recording “atmosphere”: The creaking of a chair or the sounds from the garden. Colorful, psychedelic cloths were hung over the mattresses, and you could take a seat on corner seats and couches everywhere.

However, the structure of the “Inner Vision Studio”, as it was initially called, was remarkable: The control room and recording room were not separate. The 8-channel mixing console, on which CAN’s early albums were recorded, was positioned in the middle of the room. This system was also preserved later. Until the mid-1970s, the band’s technical equipment remained modest; there was not much room for correcting mistakes or elaborate miking. In retrospect, the band members summed up that the sound was shaped by both: The special space that the studio offered and the limitations of the technology.

In 1978, after the dissolution of CAN, René Tinner took over the studio. He had previously worked in Weilerswist and, after a brief interlude in another studio, returned with an idea: he wanted to turn the experimental space into a commercial music studio. Things really got going in the now renamed CAN-Studio after the first hit: Joachim Witt took off with “Silberblick”, which was recorded there. He used the proceeds from this production to finance the purchase of the CS-V mixing console, which forms the core of the collection in the rock’n’popmuseum.

This was followed by national and international acts produced by Tinner, who appreciated the unique atmosphere of the room. Tinner’s biggest production was probably Fury in the Slaugtherhouse and Double Marius Müller-Westernhagen. His successful album Hallelujah was created in the CAN studio. As CAN had already recorded their jams, the live feeling of the band was also in the foreground here.

Over the years, the studio had developed into a professional powerhouse: 24-track machines, a Hammond organ, dozens of synthesizers from analog to digital. This highlight of the equipment, on which the studio moved to the rock’n’popmusem in the mid-2000s, can be explored in the basement of the rock’n’popmuseum.

- Here you can discover culture and education in your city!

KuBiG brings together culture enthusiasts and interested parties, promotes the diversity of creative forms of expression and offers a wide range of creative activities and projects, especially for children and young people, at various locations and in cooperation with a constant stream of new partners.

Under this label you will find a variety of cultural educational offers in Gronau and Epe. Whether you are a kindergarten child, a teenager, a young family or an adult – there is something for everyone here, whether in a group or as an individual.

Together, we are creating a vibrant cultural landscape that not only contributes to personal development, but also to social participation.
Become part of this movement and help make Gronau a place where culture and education go hand in hand.

The NRW state government supports the development of cultural network structures at municipal level and promotes cities, municipalities and municipal associations that work systematically on the quality of their cultural education landscape through the “Municipal Overall Concepts for Cultural Education” award. The aim is to open up opportunities for all children and young people to encounter art and culture and to develop an interest in the diversity of cultural life. The overall municipal concepts are intended to demonstrate the systematic further development of cultural education as well as a coordinated and joint approach by politics and administration in culture and education.

Gronau took part in the competition for the first time in 2022 and was able to convince the jury of the concept it had submitted with its first pitch. The Minister for Culture and Science of the State of North Rhine-Westphalia, Ms. Ina Brandes, took the opportunity to present the award in person. The 15,000 euros in funding associated with the award will be used over the next two years for cultural education projects in the city and will help to build a strong and active cultural network.

Café Backstage

Music detail: The café lives up to its name.

Such a journey through the world of rock and pop can make you hungry and thirsty. Café Backstage offers the perfect setting for anyone who wants to relax and review their impressions over a tasty snack. Good music, a rustic-charming interior, here and there a lovingly placed

L'Unique Foundation

Celebrity Art and Rock Memorabilia

L’Unique Foundation is a charitable foundation based in Basel (Switzerland). The foundation manages one of the most important private collections of celebrity art and rock memorabilia. Parts of the collection are also exhibited here in the rock’n’pop museum. The purpose of the foundation is the realization and maintenance of humanitarian aid projects worldwide – especially in the areas of groundwater supply, sanitation and hygiene. The aid projects strive for the greatest possible sustainability and pursue an intensive involvement of the local population and user groups, such as in Kathmandu and the Nuwakot region (both Nepal).

In collaboration with selected wineries, the Foundation presents exclusive, limited-edition, high-quality Italian wines with a touch of rock’n’roll. The labels of these limited wine editions were designed by US artist John Douglas. With the purchase of each bottle you automatically support the aid projects of the L’Unique Foundation with an amount of CHF/EUR 5.

You can order the wines and the graphics by John Douglas in the Foundation Shop.

GOOGLE ARTS & CULTURE

The rock'n'popmuseum is now also represented on Google Arts & Culture!

The Google Arts & Culture application offers the opportunity to virtually visit museums and exhibitions around the world, discover exhibits and obtain interesting background information. The rock’n’pop museum offers insights into the permanent exhibition and the depot with three virtual exhibitions and presents the legendary Can studio. In the expedition through the permanent exhibition, selected exhibits from the various themed islands are presented with interesting background information. Visitors are also given an insight into the depot and shown exhibits that are normally hidden from view. Another highlight is the history of the legendary Can studio, which has been on display in the rock’n’pop museum since 2007. Historical image, sound and video recordings present the history of the musical work of the avant-garde band and their studio. The Can Studio’s virtual exhibition is embedded in the international project Music, Makers and Machines, in which over 50 institutions from 15 countries have developed stories about electronic music and shed light on the special connection between technology and music.

Gronau Inside

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